Screenings

The Lost Days on the GMI video wall, London 1999.
The Lost Days on the GMI video wall, London 1999.
Border at the 25th Poeziezomer Watou, Belgium 2005.
Border at the 25th Poeziezomer Watou, Belgium 2005.

SELECTED SOLO EXHIBITION

2020
Mujeres en La Resistencia/Women in the Resistance I: Laura Waddington Online cycle in response to Covid-19 quarantine, Curated by Desistfilm, Lima & Nicole Brenez

2019
Tres Cortos de Laura Waddington, Mujeres en La Resistencia/Women in the Resistance, Sala Robles Godoy del Ministerio de Cultura del Peru, Museo de la Nacion, Lima, Peru, Curated by Desistfilm & Nicole Brenez
Tres Cortos de Laura Waddington, Mujeres en La Resistencia/Women in the Resistance, Cámara Lúcida, Encuentros Cinematográficos & Alianza Francesca, Cuenca, Ecuador, Curated by Desistfilm & Nicole Brenez
Tres Cortos de Laura Waddington, Mujeres en La Resistencia/Women in the Resistance, Efimera, La Paz, Bolivia, Curated by Desistfilm & Nicole Brenez

2016
September 2016: Border. Politics and Poetry, online showcase, European Foundation Joris Ivens, The Netherlands, Curated by Pedro Tavares

2013
IMA Eyespeak presents: An Evening with Laura Waddington and Nicholas Mirzoeff, Hunter College, New York

2012
Laura Waddington: Internationalist Cinema for Today, Anthology Film Archives, New York, Curated by Nicole Brenez

2007
Laura Waddington, Mostra Video Itau Cultural, Palacio das Artes, Belo Horizonte, Brazil, Curated by Andre Brasil, Institut Itau Cultural, Sao Paolo
Laura Waddington, Mostra Video Itau Cultural, Instituto de Artes do Para, Belem do Para, Brazil, Curated by Andre Brasil, Institut Itau Cultural, Sao Paolo
Spazio Laura Waddington, La Frontiera: Controgeografie del Rifugio, Sala Curò, Piazza Cittadella, Bergamo, Italy, Collaboration of Lab80 and Millepiani
Focus: Laura Waddington, Salon Vidéo de Printemps, Salon Mommen, Brussels, Belgium, Curated by 68Septante

2006
Vidéo et après: Laura Waddington, Musée National d’art moderne, Centre Pompidou, Paris,
A Nomadic Camera: Films by Laura Waddington, Curzon cinema, London, Curated by Cinémathèque de Tanger and Photographer’s Gallery, London
Laura Waddington, Centre Culturel Français de Belgrade, Serbia, Curated by Brent Klinkum

2005
Crossing Frontiers – Laura Waddington, The 51st Oberhausen International Short Film Festival, Germany
Homage to Laura Waddington, The 41st Pesaro International Film Festival, Italy
Tapis, coussins et vidéo: Laura Waddington, The 33rd La Rochelle International Film Festival, France

2002
In Person: Laura Waddington, Austrian Film Museum, Vienna, 2002, Curated by Sixpack Film, Vienna

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SELECTED GROUP EXHIBITION

2023
The Lost Days and Some Friends (Apart), Carte Blanche #2 Michael Pilz. Retrospective Michael Pilz: So Much Beauty, Austrian Film Museum, Vienna
Cargo in Question: Two Films about Labor, Shipping, and Globalization in the 21st Century, SBMM, Santa Barbara Maritime Museum, USA, Curated by Mae A. Miller-Likheth
BORDER / BIENVENUE – mobilisation pour et avec les réfugié.e.s*, Bordeaux, France

2022
Ocupação Limiar – Estudo de Cena na Oficina Cultural Oswald de Andrade, Sao Paulo, Brazil
Passagers du Réel / Filmer les frontières: Le territoire en questions, Bordeaux, France

2021
Border, Adam Art Gallery, Wellington, New Zealand
Vers La Mer & CARGO (film of choice Annik Leroy), Visite Film Festival, Antwerp, Belgium

2020
Kinoclash! Film + Power, Film Mutations, Festival of Invisible Cinema XIII, Zagreb, Croatia and Rijeka2020, European Capital of Culture, Croatia
Borderlands Atelier Film program, Das 6. Internationale Choreografenatelier, Munich, Germany
Les rencontres du réel #8, Mois du doc 2020, Nouvelle-Aquitaine, France

2019
TRANSFERT, Galeria Studio, Palace of Culture and Science, Warsaw, Poland, Curated by Tomasz Szerszen and Dorota Jarecka
Jacqueline Hoang Nguyen, Maeve Brennan & Laura Waddington, CAMPLE LINE, Dumfries and Galloway, Scotland, Curated by Tina Fiske
Expanded Mediterranean, Galerija Flora, Dubrovnik, Croatia, Curated by Tanja Vrvilo (in conjunction with UNSEEN by Karla Crnčević)
Va, regarde Au bord des images connues; Nuit Bleue, L’INHA, L’Institut national d’histoire de l’art, Paris
Border Line, Diep-Haven & Dieppe Scène Nationale, Dieppe France
Images Clandestines, Images Migrantes, Lyon, France
23ème Rencontres autour du Film Ethnographique, Cinémathèque de Grenoble, France
Aux Écrans du Réel, 20ème édition, Le Mans, France

2018
TRZECI BEZPIECZNY KRAJ: Ahmed Deeb, Sylvain George, Laura Waddington, Malta Festival, Poznan, Poland
Europe is falling apart, 31 FilmFest Dresden, German
Buffard Rembobine! Comedie du Caen, France, Curated by Alain Buffard

2017
Filmer Calais, Musée de l’histoire de l’immigration, Palais de la Porte Dorée, Paris, France
Buffard Rembobine! CND, Centre national de la danse, Pantin, France, Curated by Alain Buffard
Migration Crisis in Europe, fall film series programmed by Catherine Benoit, Connecticut College, USA

2016
The Current Convening #2, Fort Kochi, Kerala, India, Curated by Shanay Jhaveri (Metropolian Museum of Art) and Stefanie Hessler (TBA21-Academy / Thyssen-Bornemisza Art contemporary Vienna)
Routes of Difference – Migration in Artistic, Academic and Media Discourses, Goethe-Institut, Lisbon, Portugal
Post Realistic Videos: How to Fix the World (Selection of Jill Godmilow), Teatr Polski w Bydgoszczy, Bydgoszczy Poland
Filming at The Borders: Migrating to Europe Today, Maison Française, Columbia University, New York, Curated by Nora Philippe
Aux Écrans du Réel, 17ème édition, Le Mans, France
Récits d’exil, Cinematek, Brussels, Belgium
Border, Les Lucioles du Doc, Nanterre Prison, France

2015
La Frontera nos cruzo, MUNTREF – Museo de la Universidad Nacional de Tres de Febrero, Buenos Aires, Argentina, Curated by Aliocha Imhoff and Kantuta Quiros
Exilés – Cinema d’Urgence, Bibliotheque Nationale de France, Paris
Migrants and Borders, Les Ecrans Documentaires, 19ème édition Arcueil, France
L’étranger, 11èmes Rencontres du film documentaire, Luttes & résistances, Saint Jean du Gard, France
Border, Weekend de solidarité avec les migrante.e.s, Marseille, France
Frontières en Deplacement, Sabzian, Brussels, Belgium

2014
Shifting Borders, The 18th International Short Film Festival Winterthur, Switzerland
Border extracts in concert Nachleben by J Blondeau, ManiFeste-2014, IRCAM, Centre Georges Pompidou, Paris, France

2013
Political Matters, Xcèntric. CCCB: Centre de Cultura Contemporània de Barcelona, Spain
Global Revolt: Cinematic Ammunition, Flaherty NYC, Anthology Film Archives, New York, USA, Curated by Sherry Millner and Ernie Larsen
The Borderscape Room, Le Quartier, Centre d’Art Contemporain, Quimper, France, Curated by Le peuple qui manque
Moving_Image: E comme économie, Gaîté Lyrique Paris, France, programmed by Rencontres Internationales Paris/Berlin/Madrid
Denk_mal im Kopf: Border / CARGO, Südbahnhof Krefeld -Werkhaus e. V., Krefeld, Germany
CARGO, Kreek, Oosterbeek, Netherlands
Still, Journée Internationale contre les violences policières (debate and projection organised by Le Comité Justice et Vérité pour Wissam), Clermont Ferrand, France

2012
Border during the exhibition, Exils, réminiscences et nouveaux mondes (Presented by the association L’ECLAT, Nice), Musée Fernand Léger Biot, France
Cine Nocturnes, The Virginia Museum of Fine Arts, USA, Curated by Scott MacDonald,
Border, Gran Lux cinema, Saint Etienne, France
CARGO, Cent lieux d’art 2, Solre le Château, France, Curated by Transat Video

2011
Selected Works from the Pompidou’s New Media Collection, Institut Francais d’Izmir, Turkey, Curated by Christine Van Aasche, Centre Pompidou
Tomorrow Never Comes Until It’s Too Late, Serralves Museum of Contemporary Art, Porto, Portugal
Les contre-allées: architectures contemporaines de l’exil, Musée de l’histoire de l’immigration, Palais de la Porte Dorée, Paris, France
Rétrospective Côté court 20 Ans! Festival Côté court de Pantin, France
1ère édition du Festival International du Film des Droits de l’Homme de Metz, France
Well Connected, Cinematheque Leipzig, Germany
Border, L’Autre Ecran, Toiles&Toiles, Salle Jean Dame, Paris, France
The Cine-Nocturne, Colgate University, USA, Curated by Scott Macdonald

2010
La Intratable Belleza del Mundo, The Wilfredo Lam Contemporary Art Center, Havana, Cuba, Curated by Christine Van Assche
Selected Works from the Pompidou’s New Media Collection, The Herzliya Museum of Contemporary Art, Israel, Curated by Ghila Limon and Christine Van Assche
Życie pośmiertne ludu / Afterlife of the people, Museum of Modern Art Warsaw, Poland, Presented by Pawel Mościcki
Alternatives to Memories, Galerie Art & Essai, Université Rennes 2, France, Curated by Marion Hohlfeldt
CARGO, ContainerCinema, Container/Werkstatt 2010, Kunst Meran, Merano Arte Merano, Italy, Curated by Sabine Gamper
Voir/Revoir 4: Buffard Rembobine! Pompidou Center, Paris, France
La Séance, Cinéma Les 3 Luxembourg Paris, France, Curated by Alexandra Fau
Géographies fracturées #2: A New World Border, Maison Pop’ de Montreuil, France, Curated by Le Peuple qui manque
Clandestinité, Mobilité et frontières, exhibition Suspended Spaces #1 (commissaire générale Brent Klinkum) Maison de la Culture Amiens, France
Demain vous n’y penserez plus, Galerie Art & Essai, Université Rennes 2, France, Curated by Marion Hohlfeldt
De la propagande révolutionnaire à la contre-information contemporaine. Cinéma militant, politique, social, engagé…L’héritage Dziga Vertov, La Cinémathèque Française, Paris, France, Presented by Nicole Brenez
Les Jeudis du Festival, International du Film des Droits de l’Homme Paris, Cinema Nouveau Latina, Paris, France
Insomnuit, Les Rencontres des Arts Mers-sur-Indre, France
Border and Plaidoirie pour une jurisprudence (Invitation of Patrick Bernier, Olive Martin and La Société pour la Diffusion de l’Utile Ignorance) Théâtre Le Maillon, Strasbourg, France
Selected films from Outrage&Rebellion, IndieLisboa’10, Cinema Londres, Lisbon, Portugal
F.I.L.M, Forum for Images and Languages in Motion: The best of Flaherty 2009-2010, Hamilton College, NY, US, Curated by Scott MacDonald

2009
La Frontera Infinita, Jeu de Paume, Paris, France
In Praise of Independents: The Flaherty, National Gallery of Art, Washington, USA
Outside In: Alternative Narratives in Contemporary Art, University Museum and Art Gallery, The University of Hong Kong, Curated by Tina Yee-wan Pang
Home? Galerie Villa des Tourelles, Nanterre, France
elles@centrepompidou, Artistes femmes dans les collections du Musée national d’art moderne, Centre Pompidou, Musée National d’Art Moderne, Paris, France (2009 – 2011)
Accompagner Le Movement du Monde, Cinéma du Réel, Centre Pompidou, Musée National d’Art Moderne, Paris
Outrage&Rebellion, Film Mutations, Third Festival of Invisible Cinema, Zagreb, Croatia
Scott MacDonald Presents: Documentary and the Avant-Garde, Union Docs, Brooklyn, USA
Exils ,Les Yeux Dans le Monde, 4ème Festival ItinErrance, Paris, France
Border, La Pellicule Ensorcelée, Champagne-Ardenne, France

2008
The Age of Migration, The 54th Robert Flaherty Film Seminar, Colgate University, Hamilton, NY, Curated by Chi-hui Yang
10 Jahre Videoex…10 Jahre „Other Stories“, Festival Videoex, Zurich, Switzerland
Contrechamp: Ce lumineux sujet de désir, Le Cinematographe, Nantes, France
BAM-Cinematek presents: Selection from the Robert Flaherty Film Seminar, Brooklyn Academy of Music, USA
Flaherty NYC #3, Anthology Film Archives, New York, USA
The presence of Place. A Wrinkle in Time, BRIC Rotunda Gallery, Brooklyn, New York, US, Curated by Jason Fox
Partenze Arrivi – percorsi di arte contemporanea (Scuola Internazionale di Grafica and Associazione culturale E’, in collaboration with Boston University & Fondazione Bevilacqua la Masa) Venice, Italy
CARGO (followed by discussion with Claude Villers), Bibliothèque municipale d’Anglet, France
Border, Association Chroma, Le Mans, France
Border and CARGO, le Festival Les Yeux Ouverts, Beauvais, France

2007
Turbulence, 3rd Auckland Triennial, Auckland, New Zealand, Curated by Victoria Lynn
Port City: On mobility and exchange, Arnolfini Centre for Contemporary Art, Bristol, UK
CARGO, Towards a Canon of Short Film, 26th Uppsala International Short Film Festival, Sweden
Border, Carte Blanche à Françoise Parfait, ENSBA, Ecole Nationale Supérieure des Beaux-Arts de Paris

Border, Carte Blanche à 6870.be 10th Edition, Bandits Mages, Bourges, France
Le FEMI, Festival International Cinéma & Femme de Guadeloupe, Guadeloupe
Festival Travelling 18ème édition Rennes, France
Happy New Ears, Buda Kunsten Centrum, Kortrijk, Belgium
Oberhausen Archive, Der Konrad-Adenauer Stiftung, Berlin, Germany
Oberhausen Archive, Kino Palas, Banja Luka, Bosnia
Border, Cinema Lux, Caen
Corps d’exils, Identités remarquables #2, Polygone étoilé, Marseille, France
Que faisons-nous ensemble? Théâtre de l’Espace, Besancon, France
Tous dans le meme panier, Montreuil-des-Landes, France
Border, La Pellicule Ensorcelée, Champagne-Ardenne, France

2006
Crime & Punishment, Kunsthalle Tallinn, Estonia, Curated by Anders Härm
Poèmes anti-coloniaux, essais humanistes, La Cinémathèque Française, Paris, France
A Poesia Civil – Sobre algumas formas contemporâneas do cinema politico, Em Contramão, Serralves Museum of Contemporary Art, Porto, Portugal, Curated by Ricardo Matos Cabo and Nicole Brenez
Cinémathèque de Tanger: Explorations in Film and Video, The Photographer’s Gallery, London
New Territories, De Hallen, Bruges, Belgium, Curated by Michel Dewilde
The 21st Mar del Plata International Film Festival, Buenos Aires, Argentina
Le 28ème Festival du Court Métrage de Clermont-Ferrand, France
The 3rd Singapore Shorts Film Festival, The Substation, Singapore
VIPER International Festival for Film Video and Media, Basel, Switzerland
The19th Stuttgarter Filmwinter, Germany
PANORAMA, The International Women’s Film Festival, Dortmund & Cologne, Germany
Os Refugiados no Mundo, Museu Nacional Soares dos Reis, Porto, Portugal
PULSAR, Caracas, Venezuela, Curated by Rencontres Internationales Paris/Berlin
Cinematheque de Tanger, Among the Moderns, 2nd International Biennial of Contemporary Art of Seville: The Unhomely: Phantom Scenes in Global Society, Spain, Curated by Okwui Enwezor
Filmforum’s 30th Anniversary: Inard & Outward Journeys – Films by Sarah Miles & Laura Waddington, American Cinematheque, Los Angeles, Curated by Mark Rance
Mardis Documentaires de la Scam, (Invitation of Annik Leroy), Petit Théâtre Mercelis, Brussels
Makan house, Amman, Jordan, Curated by Brent Klinkum
Paris Tout Court, L’Arlequin Cinema, Paris, France
Auflösung III – Entgrenzung / Resolution/dissolution III – De-limitation, video program, nGBK, Neue Gesellschaft für Bildende Kunst, Berlin, Germany
Crash Test Dummy: The New European ‘Self’ in a Bio-Political Crash Test: travelling to Munich, Budapest, Prague, Ljubljana
Atom Cities: Paldiski – Sillamäe (Invitation of Eleonore de Montesquiou) Kunstihoone Tallina LinnaGalerii, Tallinn, Estonia
Exils, Cinema Nova, Brussels, Belgium
Border, Cinema la Enana Marron, Madrid, Spain
Border and Last Resort by Pawel Pawlikowski, Cinema Oblo, Lausanne, Switzerland
Faites de L’image, The Best of Videophages, Jardin de la Colonne, Toulouse, France
CARGO (proposed by the Pesaro Film Festival), Struttura, Biblioteca di San Vincenzo, Italy
Border, Sillamäe (a project by Eleonore de Montesquiou), Platform, Berlin
The Lost Days, BMS-Neudorf, Bibliothèque Municipale de Strasbourg, France
Cinémathèque de Tanger / Among the Moderns, Stills Gallery, Edinburgh

2005
The 34th International Film Festival Rotterdam, The Netherlands
The 51st Oberhausen International Short Film Festival, Germany (International Competition, Special Mention of the Ecumenical Jury)
The 12th New York Video Festival, Film Society of Lincoln Center, New York
The 59th Edinburgh International Film Festival, Scotland
La Semaine des réalisateurs, Fespaco, Ouagadougou, Burkina Faso
Côté court 2005, 14th Festival du Film Court, Pantin, Seine Saint Denis, France (Grand Prix Experimental-essai-art vidéo)
Videoex 2005, Experimental Film and Video Festival, Zurich, Switzerland (First Prize)
Manifesta, 6th Seoul Net & Film Festival, South Korea
The 21st International Short Film Festival Hamburg, Germany
Cine y casi cine, The Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Women with Vision 2005, Walker Art Center, Minneapolis, USA
Subversion éternelle la suite, la relève: Esthétiques rebelles, La Cinémathèque Française, Paris, France
Nous le Passage exhibition, Watou 2005, Poëziezomer, Belgium, Curated by Cis Bierinckx
The Images Festival, 18th Edition, Toronto, Canada
One World, 7th International Human Rights Documentary Film Festival, Prague, Czech Republic
Carte Blanche à Pointligneplan, Paris Cinema Festival 2005, France
Planet in Focus 2005: International Environmental Film and Video Festival, Toronto, Canada
Dokument 3, International Human Rights Documentary Film Festival, Glasgow, Scotland
Invideo 2005, 15th International Exhibition of Video Art and Cinema Beyond, Milan, Italy
L’Alternativa 2005, 12th Independent Film Festival of Barcelona, CCCCB: Centre de Cultura Contemporània de Barcelona, Barcelona, Spain
The 22nd Kassel Documentary Film and Video Festival, Germany
Les Ecrans Documentaires, 9ème édition Arcueil, France
Incommunicado 05, De Balie, Amsterdam, The Netherlands
Border (with Q&A with Laura Waddington by Saskia Walker), LaDOC Cologne, Kino in der Brucke, Cologne, Germany
The Human Rights Film Festival Zagreb Tour of Croatia, and Belgrade
Border, Selection of The Locarno Film Festival, The 1st Neusis Festival, Urbino, Italy
Les 21èmes Rencontres Cinéma de Gindou, France
European Short Film Biennale 2005, Ludwigsburg, Germany
The 27th International Women’s Film Festival, Créteil, France
Les 12èmes Rencontres de Cinéma de Court Métrage, Chabrières d’Avignon, France
Le 14ème Festival du Film de Vendome, France
Phantom Bilder, Top Kino, Vienna, Austria, Curated by Sixpack Film
Frontières, Itinérances 2005, Festival Cinéma d’Ales, France
Border (with Q&A with Laura Waddington) in context of Semaines d’éducation contre le racisme, Carré Amelot and La Mediatheque, La Rochelle, France, Proposed by Festival Escales Documentaires
Espace Khiasma, Lilas, France, Curated by Olivier Marboeuf
Incommunicado 05, De Balie, Amsterdam, The Netherlands
Border, Festival 10 Vagues, Lille, France, Proposed by the review Tausend Augen
Acte Public de Co-errances, Marie de Romainville, France
Frontières, Le Passage, Africum Vitae & Khiasma Sud, Marseilles, France
Vie Précaire. Regards Croisés, Nord-Sud, Festival Esperanzah, Namur, Belgium
Les Rencontres Cinématographiques, Belvédère du Rayon vert, Cerbère, France
Welt Aus Dem Container, Palast der Republik, Berlin
Westend 05, Schaubune Lindenfels, Leipzig, Germany
Tranzit.Hu Bemutatja, Irok Boltja Teazo, Budapest, Hungary
Oberhausen on Tour 2005-2006: Goethe Institute, Washington, USA, 10th Malaysian Video Awards, Kuala Lumpur, and other international locations
The Lost Days, Carte Blanche à la Cinémathèque de Tangers, Instants Vidéos, Polygone étoilé, Marseille, France
Es ist schwer das Reale zu berühren / It’s hard to touch the real, Kunstverein Munich, Germany, Video Archive Tour: Bildmuseet Umeå, University College of Fine Arts, Sweden (2005);
Yeans, Gothenburg, Sweden (2005); UKS, Unge Kunstnerers Samfund, Oslo, Norway, (2005); City Gallery, Tallinn Kunsthalle, Estonia (2005) Then permanently held as an archive in the Grazer Kunstverein, Austria.

2004
The 57th Locarno International Film Festival, Switzerland (Border world premiere)
The 33rd Montreal Festival of New Cinema and New Media, Canada
The 19th Festival International du Film de Belfort, France
The 11th Filmer à tout prix, Brussels, Belgium
The Human Rights Film Festival, Zagreb, Croatia
Les 2004 Rencontres Internationales, Paris/Berlin, France
The 9th Malaysian Video Awards Festival, Kuala Lumpur, Malaysia
The 51st Sydney International Film Festival, Australia
L’expérience documentaire: Les cinéastes à l’approche du monde, Cinéma Arenberg, Brussels, Belgium, Curated by Javier Packer-Comyn, Le P’tit Ciné
Border, screening for activists, Milan, Italy organised by Federica Sossi
Leben durch Wasser in H20 Austellung 2004, Kaleidoskop – Film Forum in Aachen, Germany
Es ist schwer das Reale zu berühren / It’s hard to touch the real, Kunstverein Munich, Germany, Video Archive Tour: Dundee Contemporary Arts, Scotland (2004); Site Gallery, Sheffield, UK (2004)
CARGO, International Video, Oberhausen on Tour: Goethe Institute, Sydney, Australia (2004) Goethe Institute, Auckland, New Zealand (2004), Signes de Nuit, Cinema Balzac, Paris, (2004)

2003
Es ist schwer das Reale zu berühren / It’s hard to touch the real Festival, Kunstverein Munich, Germany (Selection of Mari Laanemets and Killu Sukmit)
Total Motiviert/ Totally Motivated, Kunstverein Munich, Germany, Video archive, Curated by Maria Lind and Soren Grammel
Es ist schwer das Reale zu berühren / It’s hard to touch the real, Exhibition Video Archive, Kunstverein Munich, Germany, Curated by Soren Grammel and Maria Lind
Transfer Damaskus, Mucsarnok Kunsthalle, Budapest, Hungary
The One World Human Rights Film Festival, Council for defence of Human Rights and Freedoms, Prishtina, Kosovo
The One World International Film Festival, Prague, Czech Republic
Les 2003 Rencontres Internationales Paris/Berlin
The International Women Film Festival, Turin, Italy
The 9th International Film Festival Dortmund, Femme Totale, Germany
The 10th Oldenburger Filmtage, Germany
The Lost Days and CARGO, Coop on Location: Kartographien »Tracks« and »Territories«, Austrian Filmmakers Coop, Das 20er Haus, Vienna, Austria, Curated by Melanie Ohnemus
From Reel to Real, Künstlerhaus Mousonturm, Frankfurt, Germany, Curated by Kathrin Brinkmann
MOving Images, Digital Video Forum, Norwich School Art and design, UK
CARGO, Transat video, Normandie, France
CARGO, International Video, Oberhausen on Tour: Kino Xenix, Zurich, Switzerland (2003), Kommunales Kino, Freiburg, Germany (2003), Cinema Les Variétés, Marseille, France (2003), Cinema Nova, Brussels, Belgium (2003), Filmkunsthaus die Nato, Leipzig, Germany (2003), Berliner Kino Babylon, Berlin, Germany (2003), Belgrade International Film Festival, Serbia (2003), Black Nights Film Festival, Goethe Institute, Tallinn, Estonia (2003)

2002
The 48th International Short Film Festival Oberhausen, Germany (ARTE Prize for Best European Short Film)
ISEA 2002, International Symposium on Electronic Arts, Nagoya, Japan
The 38th Pesaro International Film Festival, Italy
The 3rd Jeonju International Film Festival 2002, Korea
The 14th Ankara International Film Festival, Turkey
The 6th International Jihlava Documentary Film Festival, Czech Republic
The 22nd Indie Video Archive 2002, Seoul, South Korea
Videoex 2002, Experimental Film and Video Festival, Zurich, Switzerland (First Prize ex aequo)
The 6th Video Medeja, International Video Festival, Novi Sad, Serbia
The 2002 Birmingham Film and TV Festival, England
The 10th Filmer à tout prix, Brussels, Belgium
Reveries and Elegies: Sokurov, Waddington and Nelson, Pulse 2002, Chicago Filmmakers, Chicago Cultural Center, USA
New Abstract Films, Film Forum, Egyptian Theatre, American Cinematheque, Los Angeles, USA, Curated by Mark Rance
PLAY gallery for still and motion pictures, Berlin, Germany
The Festival of Festivals, Cinealternative, Paris, France
The 10th International Festival of Video and Multimedia, Canarias, Spain
The 15th Instants Video de Manosque, France
PEK festival, Filmhuis, The Hague, The Netherlands
CARGO, COE Cinema, Milan, Italy
CARGO, Responses – A view of time, Kaleidoskop – Film Forum in Aachen, Germany
The Lost Days, Mykolas Žilinskas Art Gallery, Kaunas, Lithuania, Presented by Vaidas Petrulius
Écran d’amour, Glazart, Paris, France
CARGO, International Video, Oberhausen on Tour: Montreal, Group Intervention Vidéo (2002), Goethe Institute, Vilnius, Lithuania (2002)

2001
The 30th International Film Festival Rotterdam, The Netherlands
The 8th New York Video Festival 2001, Film Society of Lincoln Center, New York
The 30th Montreal Festival of New Cinema and New Media, Canada
The 45th London International Film Festival, United Kingdom
The 19th World Wide Video Festival, Amsterdam, The Netherlands
The 22nd Durban International Film Festival, South Africa
The 5th Graz Biennial on Media and Architecture, Austria
VIPER, International Festival for Film, Video and Multimedia, Basel, Switzerland
Hors Les Murs, FIDMarseille – Festival international du documentaire, Marseille, France
The 43rd Bilbao Documentary and Short Film festival, Spain
VideoArt XXII Festival et Forum International de la Vidéo et des Arts Electroniques et de la Nouvelle Culture Emergente, Locarno, Switzerland
Digit, The Walker Art Center, Minneapolis, USA
Five Travelers, Film Forum, Hammer Museum, UCLA, Los Angeles, USA
The San Francisco Cinematheque, USA
CARGO, Cineteatro San Lorenzo, Milan, Italy
CARGO, Cinema de Balie, Amsterdam, The Netherlands
The Lost Days, Invitation of Dana Levy during the exhibition Fragments of a Journey, Pollak gallery, Tel Aviv, Israel
Selections from the 8th New York Video Festival, Film Society of Lincoln Center, Tour of North America, New York (2001-2002)
De-Globalizing / Re-Globalizing / micro-museum, Mediaterra Festival 2001, Fournos Centre for Art and New Technologies, Athens, Touring to Lavrion, Sofia, Belgrade, Maribor, Osnabruk and The Frankfurt Book Fair, Germany

2000
The 29th International Film Festival Rotterdam, The Netherlands
The New York Video Festival 2000, Film Society of Lincoln Center, New York
The 29th Montreal International Festival of New Cinema & New Media, Canada
The 18th World Wide Video Festival, Amsterdam, The Netherlands
Transmediale International Media Arts Festival 2000, Berlin, Germany
ISEA 2000, 10th International Symposium on Electronic Art, Paris, France
Netmage, Linkproject, Bologna, Italy
Dnet, The Lux Centre, London, UK
Cinematexas 2000, Texas, USA
Videomedeja 5, Novi Sad, Serbia
Carte Blanche CICV Pierre Schaeffer, Interferences, 2nd International Festival of Urban Multimedia Arts, Belfort, France
Selections from The New York Video Festiva 200l, Film Society of Lincoln Center, Tour of North America

1999
The Lost Days, The GMI Video Wall, Leicester square, London, Curated by FACT Liverpool

1997
The Visitor and The Room, Off Broadway Cinema, Cologne, Germany

1996
The 25th Montreal International Festival of New Film and Video, Canada
The 5th New York Video Festival, Film Society of Lincoln Center, New York, USA
VIPER International Film, Video and Multimedia Festival, Luzerne, Switzerland
The 8th European Media Art Festival, Osnabruk, Germany
The 12th Hamburg Short film festival, Hamburg, Germany
The Knitting Factory video lounge, New York, USA

1992
Rooster Rushes, New York

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SELECTED TELEVISION & STREAMING

2010
Still, Outrage & Rebellion, online showcase of the collective film on the website of the French online newspaper Mediapart, www.mediapart.fr. (20th January -15th June 2010)

2008
Border extracts in storiemigranti.org, Curated by Federica Sossi

2003
CARGO, Court Circuit/ KurzSchluss. ARTE TV/ZDF, France and Germany

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SELECTED SCREENINGS IN CONFERENCES & ROUNDTABLES

2016
On the Fleeing Visibility of the Refugees by Pawel Moscicki (Lecture on Border), Conference, Cultural Literacy of Migration: Affects, Memory, Concepts, Workshop of the Cultural Literacy in Europe, Forum organized by the Institute of Literary Research of the Polish Academy of Sciences, Warsaw, Poland

Calais where Europe ends by Pawel Mościcki (Lecture about Border and extracts) in the cycle, Obrazy uchodźcze / Images of Refuge, Teatr Polski, Bydgoszczy, Poland, April 2016

2012
Extracts of Border presented and discussed by Catherine Millet, in the roundtable De l’art vidéo aux œuvres contemporaines, le regard d’une revue d’art sur les images, animées, à partir d’un choix d’oeuvres proposé par Catherine Millet, Dominique Païni et Dork Zabuniano to celebrate the 40th birthday of ArtPress, in ArtPress, 40 ans de regard, Festival International du Film Entrevues, Belfort, France

2010
Życie pośmiertne ludu / Afterlife of the people by Pawel Mościcki (Lecture about Border, Harun Farocki’s Workers leaving the factory and Sharon Lockhart’s Exit, and screening of the films), Part of the cycle: Archiwum i utopia w XX wieku / Archive and utopia in the 20th century, Museum of Modern Art Warsaw, Poland

Suspicious Images by Chari Larrson, Extracts and discussion of Border and George Didi-Huberman’s reflections on the four photos of Auschwitz by the Sonderkommando, University of Queensland, Australia

2009
Projection of Border to open the round table: Quelle place pour les migrants dans notre societé? organised by Observatoire de la diversité culturelle for the Journée Internationale des Migrants, Auditorium du Centre Culturel Jean-Cocteau, Les Lilas, France

2006
Catherine Millet. Lecture on, and screening of, Border and Antoni Muntadas’ On Translation and the frontier between documentary and art, organised by Artistes & Associés, on the occasion of FIPA, Biarritz, France

2005
Border extracts in conference on Immigration, Integration and Human Rights, European Parliament, Brussels and presentation by Laura Waddington.

2002
The Lost Days, screening in the conference Place and Location III. The City_topias and Reflections, the Institute of Art History of the Estonian Academy of Arts, Tallin, Estonia, Presented by Mari Laanemets

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SELECTED SCREENINGS DURING IN PERSON LECTURES AND SEMINARS

2009
Atelier de lecture d’images, Exilé en des lieux incertains, 23ème Festival A Nous de Voir – Science et Cinéma, Oullins, France, November 2009

2008
The Age of Migration, The 54th Robert Flaherty Film Seminar, USA, Curated by Chi-hui Yang, June 21-27, 2008

2007
Workshop (Invitation of Annik Leroy), ERG – École de Recherche Graphique, Brussels, Belgium, April 2007

2006
Lecture. ESAD, École supérieure des arts décoratifs de Strasbourg, In collaboration with Vidéo Les Beaux Jours, France, March 2006

2005
Lecture for series on the loss of freedom and civil rights in Europe, Academy of Fine Arts, Münster, Germany, July 2005
Seminar (Invitation of Matthias Müller), KHM, Kunsthochschule für Medien Cologne Germany, May 2005

2004
ELIA Biennial Conference Lectures, Two days of Lectures by Laura Waddington, Hochschule fur Gestaltung und Kunst, (Invitation of Edith Flückiger), Luzerne, Switzerland, 4th-5th November, 2004

2001
Week long Seminar for Masters students (Invitation of Kai Kaljo), Estonian Academy of Arts, Tallinn, Estonia

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SELECTED SYLLABUSES, EDUCATIONAL SCREENINGS & WORKSHOPS

Border on syllabus of Paul Nadal’s Racial Capitalism; A Graduate Seminar in Criticism and Theory, Princeton University, November 2023
Border, installation in diploma exhibition of Magdalena Mądra University of Arts, Poznań, Poland June 2022
Vidéo : Near Documentary, Class of Thomas Sipp, Institut supérieur des arts de Toulouse, beaux-arts spectacle vivant, semestre 5, France, 2020-2021
Border, workshop for teenagers held by Gilles Deroo, l’asso 47-2, Cosne sur Loire, France, summer 2021
Border in classes of Catherine Benoit, Connecticut College, US (April – June 2020)
Border and CARGO, KHM, Kunsthochschule für Medien, Cologne, Germany in classes of Matthias Mueller, Summer Semester, 2018
Border, in class of Sophie Bruneau, INSAS, Bruxelles, Belgium February 2017
Border in seminar by Peter Snowdon at Aberystwyth University, Wales, March 2014
Border in Film Analysis Workshop: Kitsch, Rache, Solidarität? Un/Sichtbarkeiten von Grenze und Migration. a project by Martyna Starosta, Raumerweiterungshalle am Ostkreuz, Berlin Germany 2010
Border, in Nocturnes, curated by Scott Macdonald, Hamilton College, NY, US 2009
Border, extracts presented in Lecture by Masa Hilcisin, Department of Film Studies and Audio-Visual Culture, Masaryk University, Czech Republic 2009
CARGO, presented by Patrick Huber, Art School Zurich, Switzerland, 2009
Border, Workshop of Ursula Biemann, Rotonde des Arts, Abidjan, Ivory Coast, 2009
CARGO, Workshop of Petra Johnson, AMspace, Shanghai, China, 2009
Border, CARGO and The Lost Days in Filmische Wege zum Realen. Der essayistische Dokumentarfilm, classes of Eva Kuhn, University of Basel, Switzerland, 2009
Border, CARGO and The Lost Days, classes of Sarah Elder, University at Buffalo, USA 2008/9
Border and CARGO, class of Jane Gillooly, School of the Museum of Fine Arts (SMFA), Boston USA, 2009
CARGO, class of Bhaskar Sarkar, University of California Santa Barbara, US 2008/9
CARGO, workshop of Ulrike Franke, Filmhaus Koln, Germany 2008
Border, class of Georges Didi Huberman EHESS, Paris, France, 2008
Border, Camera Stylo, Projection by Pharos at Ecole Supérieure d’Art de Metz-Metropole, France 2008
Border, class of Ana Devic, University of Glasgow, Department of Sociology and Anthropology Scotland, 2008
Border, Seminar on asylum by Aline Clavelier at IRTESS, Institut régional d’enseignement supérieur en travail social, Dijon, France, 2008
Border, seminar by Kai Kaljo, IDKA, Gavle, Sweden, 2006
Border and CARGO, class of Nezar Andary, Zayed University, Abu Dhabi, UAE, 2006
CARGO and Border, classes of Peter Hutton, Bard College, US (diverse dates)
The Lost days, seminar by Heather Winter Volkshochschule, Wien Nord West, Vienna, 2003
CARGO, workshop by Vipin Vijay at the Mass Communication Center, Kerala, India 2002

AWARDS

Grand Prix Experimental-essai-art vidéo, Cote Court, France 2005
First Prize Videoex 2005, Festival of Experimental Film and Video Zurich, Switzerland
Special Mention of the Ecumenical Jury, The 51st Oberhausen International Short Film Festival, Germany, 2005
First Prize ex aequo, Videoex 2002, Festival of Experimental Film and Video, Zurich, Switzerland
ARTE Prize for Best European Short Film, The 48th Oberhausen International Short Film Festival, Germany 2002
Arts Council of England Artist’s Film and Video Production Award 1996